Carrying a stone in each eye (2019) installation view
       
     
       
     
 Pitt leads the spectator along a tunnel whose lumpy corridors resemble those hewn directly from the rock above. Down inclines and around corners, along narrow passages which open out into rooms and common areas; like an archaeologist, we venture in
       
     
Carrying a stone in each eye (2019) installation view
       
     
Carrying a stone in each eye (2019) installation view

From the solo exhibition Something that happened but never took place’(2019) at Bus Projects, Melbourne. Photography by Christo Crocker.

       
     
Carrying a stone in each eye (2021 cut)

Carrying a stone in each eye utilises a specific optical instrument known as a borescope - a small camera fitted to a flexible tube, designed to non-destructively investigate and report on otherwise-inaccessible areas, such as the interior of turbines, the bore of a rifle or plumbing mysteries.

Text by Danni Zuvela, from the catalogue essay for Something that happened but never took place, Bus Projects, 2019.

 Pitt leads the spectator along a tunnel whose lumpy corridors resemble those hewn directly from the rock above. Down inclines and around corners, along narrow passages which open out into rooms and common areas; like an archaeologist, we venture in
       
     

Pitt leads the spectator along a tunnel whose lumpy corridors resemble those hewn directly from the rock above. Down inclines and around corners, along narrow passages which open out into rooms and common areas; like an archaeologist, we venture in media res into Pitt’s catacombs, seeking evidence, chasing artefacts, noting clues.

Text by Danni Zuvela, from the catalogue essay for Something that happened but never took place, Bus Projects, 2019.